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One-star wonders: how to make a film that’s so bad it’s good

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Anyone can make a bad movie. But, from The Room to Cats, it takes something special to make a turkey that stands the test of time

There is nothing quite like a good-bad movie. Sometimes the title alone is enough to let us know what we’re in for: think Attack of the 50 Foot Woman (1958). Sometimes the good-badness might be about knowing we are guaranteed an over-ripe performance from a particular star: think Nicolas Cage from around 2010 onwards. Sometimes a lurid or ridiculous premise promises a good time all by itself (see: Night of the Lepus, AKA the killer rabbit movie). But whether or not the creative minds behind these kinds of cultural landmarks were in on the joke is sometimes less self-evident.

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